{"product_id":"cat-0019915122-gregory-peck","title":"Cat. #0019915122:  GREGORY PECK","description":"\u003ch3\u003e\u003cspan style=\"color: #ffffff;\"\u003eVintage inscribed black felt-tip pen signature on a 3x5-inch light green card, acquired in-person by a busy New York City-based autograph hound in the 1970s and decorated with a small book image. In good condition. Gregory Peck was one of the most successful stars of the post-World War II era, almost uniformly serving as a sort of embodiment of American values and moral conscience in films like \u003ci\u003eKeys of the Kingdom\u003c\/i\u003e (1944), for which he was nominated for an Academy Award; \u003ci\u003eThe Valley of Decision\u003c\/i\u003e (1945); Alfred Hitchcock's \u003ci\u003eSpellbound\u003c\/i\u003e (1945) and \u003ci\u003eThe Paradine Case \u003c\/i\u003e(1947); \u003ci\u003eThe Yearling\u003c\/i\u003e (1946), for which he snagged a second Oscar nod; \u003ci\u003eDuel in the Sun\u003c\/i\u003e (1946); \u003ci\u003eGentleman's Agreement \u003c\/i\u003e(1947), which brought his third nomination; \u003ci\u003eTwelve O'Clock High\u003c\/i\u003e (1949), which earned him a fourth; \u003ci\u003eThe Gunfighter\u003c\/i\u003e (1950); \u003ci\u003eDavid and Bathsheba \u003c\/i\u003e(1951); \u003ci\u003eCaptain Horatio Hornblower R.N. \u003c\/i\u003e(1951); \u003ci\u003eThe Snow of Kilimanjaro\u003c\/i\u003e (1952); \u003ci\u003eRoman Holiday\u003c\/i\u003e (1953); \u003ci\u003eNight People\u003c\/i\u003e (1954); \u003ci\u003eThe Man in the Gray Flannel Suit\u003c\/i\u003e (1956); \u003ci\u003eMoby Dick \u003c\/i\u003e(1956); \u003ci\u003eThe Big Country\u003c\/i\u003e (1958); \u003ci\u003eThe Bravados\u003c\/i\u003e (1958); \u003ci\u003eBeloved Infidel\u003c\/i\u003e (1959); \u003ci\u003ePork Chop Hill \u003c\/i\u003e(1959); \u003ci\u003eOn the Beach \u003c\/i\u003e(1959); \u003ci\u003eThe Guns of Navarone\u003c\/i\u003e (1961); the vicious noir \u003ci\u003eCape Fear\u003c\/i\u003e (1962); \u003ci\u003eHow the West Was Won\u003c\/i\u003e (1962); \u003ci\u003eTo Kill a Mockingbird\u003c\/i\u003e (1962), which at long last landed him the Oscar trophy; and \u003ci\u003eBehold a Pale Horse\u003c\/i\u003e (1964). He thereafter worked sporadically, never seeming to hit his stride again, until the 1976 smash horror film \u003ci\u003eThe Omen\u003c\/i\u003e.  In a string of comeback films, he portrayed the titular general in \u003ci\u003eMacArthur \u003c\/i\u003e(1977) and broke type to play a villain in \u003ci\u003eThe Boys from Brazil \u003c\/i\u003e(1978). He also appeared in Martin Scorsese's remake of \u003ci\u003eCape Fear\u003c\/i\u003e in 1991.\u003c\/span\u003e\u003c\/h3\u003e","brand":null,"offers":[{"title":"Default Title","offer_id":68048893411580,"sku":"iqs1793411062686","price":33.55,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0805\/8326\/2460\/files\/cat-0019915122-gregory-peck_1.jpg?v=1793411074","url":"https:\/\/latteartkit.shop\/products\/cat-0019915122-gregory-peck","provider":"My Store","version":"1.0","type":"link"}